Impossible, undefined, unstable
and unusually difficult pieces
The instructions for this piece are on the other side of this sheet. Henry Flynt, January 1961.
(Two sides of instruction sheet.) To perform this piece
do not perform it. Tony Conrad, Summer 1961
[Cf. Jon Hendricks: Fluxus Codex. The Gilbert and Lila Silverman Fluxus Collection. New York, 1988, p.330.]
The instructions for this piece are on the other side of this sheet. The instructions for this piece are on the other side of this sheet. Henry Flynt, January 1961.
(Two sides of instruction sheet.) To perform this piece
do not perform it. Tony Conrad, Summer 1961
[Cf. Jon Hendricks: Fluxus Codex. The Gilbert and Lila Silverman Fluxus Collection. New York, 1988, p.330.]
Each point on this line is a composition.Henry Flynt, January 1961
This is the piece that is any piece.Tony Conrad, Summer 1961
Opera Instruction
Do and/or don't do something universally.Eric Andersen, 1961
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Opera Instruction The frequency a'''' is played as a violin frequency for 30 seconds at intensity pp. Each year which passes after the first of April 1962 involves that the duration for which the frequency is played is lengthened by 5 seconds. Eric Andersen, 1961 |
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Danger Music Number Nine February 1962 |
Danger Music Number Eleven February 1962
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Danger Music Number Twelve March l962
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Danger Music April 1, 1963 |
Peter Aczel: Non-Well-Founded Sets. CSLI Lecture Notes, Number 14. Stanford, California: Center for the Study of Language and Information, 1988.Jon Barwise and John Etchemendy. The Liar: An Essay on Truth and Circularity. New York: Oxford University Press, 1987.
Jon Barwise and Lawrence S. Moss: Vicious Circles. Stanford, CA: CSLI Publications, 1996.Douglas R. Hofstadter: Gšdel, Escher, Bach. An Eternal Golden Braid. New York: Basic Books, 1979.
Patrick Hughes and George Brecht: Vicious Circles and Infinity. A Panoply of Paradoxes. London: Jonathan Cape, 1975.